Spanning 11,000 square feet (over 1,000 square metres), Maison Territo’s Royalmount showroom is home to dedicated displays from renowned brands such as Fendi Casa, Versace Home, and Dolce & Gabbana Casa. The Montreal-based company has now added Moooi to its selection — a Dutch design brand founded in 2001 by Marcel Wanders and Casper Vissers. Moooi’s furniture and lighting combine storytelling with functionality. “Some pieces simply occupy a room. Others give it a voice; that’s what we recognised in Moooi,” say David Territo and Liv Siv-Ing.
Maison Territo ; Phil Bernard
It all begins with an extra letter. ‘Mooi’ means beautiful in Dutch, and the third ‘o’ added by Wanders and Vissers in 2001 signifies an added level of beauty. This tiny difference encapsulates the brand’s ethos. Based in Breda, Moooi produces furniture, lighting, rugs, and wall coverings under the artistic direction of Marcel Wanders. The approach involves opening the collection up to both established designers and emerging talents, whilst allowing each design to retain its own sense of quirkiness. The objects fulfil their functional promises in terms of scale, durability and comfort, whilst also conveying a narrative intent. A familiar form is transformed by a change in size, an unexpected construction technique, or a touch of humour. Ultimately, the piece sets the tone for a room rather than merely furnishing it.
Fauteuil lounge Haybale et lampe Flock of Light ; Moooi
The image of bales of hay stacked at the edge of a field inspired Nicholas Baker to design the Haybale Lounge Chair with Footstool. He has retained its stocky volume, low profile, and repetition of blocks. The rest is down to the upholsterer’s craft. The quilted cushions are held in place by wide cotton straps fastened with metal buckles on a steel frame padded with foam and webbing. The seat sits low to the ground and is deep, designed for the body to sink into it. The matching footstool can be moved closer or further away, depending on one’s mood.
Marcel Wanders continues in the same vein with the Monster range. Designed in 2010, the Monster Chair features an embroidered face on its backrest – a presence that is both amusing and vaguely unsettling, yet whose comfort disarms you the moment you sit down. The Monster Barstool has long legs and diamond-patterned upholstery. It is available in a range of fabrics from the catalogue, or in a plain version for more understated interiors.
Fauteuil Monster et lampe Meshmatics ; Moooi
Studio Toer designed the Flock of Light pendant light to capture this moment of transition. The pendant light features slender rods that trace a free-flowing line through the air and are punctuated by brass and bronze LED light sources that are topped with semi-transparent acrylic diffusers.
By day, the design remains graphic and understated, almost like a pencil stroke suspended in mid-air. Come evening, the whole piece takes on the appearance of a swarm of luminous insects frozen in mid-flight – an image that Moooi uses to describe the desired effect, that of a summer’s evening. Two sizes are available, depending on the desired number of light points. The piece functions as much as an installation as it does as a light fitting, filling a room’s space without ever overwhelming it.
A roll of galvanised steel wire mesh, which is typically used for fences and larder screens, was transformed into a chandelier. Rick Tegelaar built a machine and a set of tools to shape it with precision and interlocked three layers of mesh to give the Meshmatics lamp its distinctive curve. The lower section features brass elements, the sole warm accent against the grey of the steel. Up close, the mesh deepens and intersects to create moiré patterns that shift as you look at them. When lit, the light fixture casts a soft, filtered glow whilst the wall behind remains visible through the pendant. It is available in two diameters. The piece spans the full height of the room, while still allowing daylight to filter through its three layers of mesh.
Designed by Blanchette archi.design, Maison Territo is located at Royalmount in Mont-Royal and spans eleven thousand square feet. Maison Territo, which opened in May 2025, features a space organised into complete interior schemes rather than traditional retail displays. Fendi Casa, Versace Home, Dolce & Gabbana Casa and Bentley Home each have their own dedicated areas, with several of these collections available exclusively in Quebec and Canada through this single location. The family’s history stretches back further to Casa Vogue, a high-end furniture company that has been in business for over fifty years. Visitors are encouraged to take their time to explore the materials, finishes and entire atmospheres on offer. The team then takes over, providing technical documentation and details on finishes and configurations for residential, hospitality, and commercial projects across Canada. In July 2026, the company announced that it represented over a hundred international brands.
Until now, the selection has predominantly featured Italian designs, incorporating couture cuts, marble, leather, and fine jewellery finishes. Moooi, however, introduces a different aesthetic characterised by shifts in scale, objects that tell a story before serving a practical purpose and a sense of humour that remains at arm’s length from the purely decorative. These two styles complement each other rather than competing, and this fusion benefits visitors, who can now design interiors that blend Latin rigour with Northern whimsy. For Montreal, the result is simple: another voice in the city and a Dutch brand that visitors can now experience first-hand and have installed in their own homes. A Moooi pendant light can set the visual tone for an entire project or provide the only departure from understated décor. The catalogue is open and the showroom invites you to come and see for yourself.
Février, 2026
Créer avec l’existant, penser avec l’histoire
De l’architecture au design, cette édition explore comment lieux, savoir-faire et matières héritées deviennent terrains de création actuelle.
Janvier, 2026
Le luxe se réinvente.
Finis les logos clignotants, place à une sobriété raffinée, à l’immersion personnelle, à l’excellence artisanale, à la durabilité sensible.
Décembre, 2025
Héritages, gestes contemporains et plaisirs essentiels
Parce que la fête n’est jamais qu’apparence : elle reflète notre manière d’habiter le monde, de transmettre, de fabriquer des souvenirs durables.
ÉDITION #3
Upcycling et kintsugi transforment l’objet contemporain, faisant de la trace, de la réparation et de la matière un langage esthétique.
ÉDITION #3
Artisans et designers donnent une seconde vie aux matériaux anciens, entre création contemporaine, patrimoine et réemploi.
ÉDITION #3
Bunkers, wagons et kiosques renaissent grâce à la création, révélant comment l’art redonne sens aux lieux délaissés.
ÉDITION #2
Un regard transversal sur le quiet luxury à travers des lieux, des objets et des figures qui expriment l’élégance.
ÉDITION #1
Une sélection de marques, architectures, objets et escapades qui donnent corps au sens de la fête.
ÉDITION #3
Usines et gares délaissées deviennent lieux culturels ouverts, où mémoire industrielle et usages contemporains redessinent la ville.
ÉDITION #3
L’audacieuse métamorphose d’un palace parisien
ÉDITION #3
Au cœur du Marais, un lieu discret révèle comment archives, architecture et recherche font dialoguer l’œuvre de Picasso.
ÉDITION #2
Une expérience shopping unique dans un magasin emblématique.
ÉDITION #2
Voyage culinaire et architectural au cœur de la Seine
ÉDITION #2
Dans le 9e arrondissement, un établissement qui invite au quiet luxury
ÉDITION #1
Chante! vient d’ouvrir ses portes. Une invitation à vibrer !
ÉDITION #3
Icône du paysage français, la boîte jaune change de statut et s’invite dans l’univers du design.
ÉDITION #3
L’édition 2026 affirme une vision où artisanat, design et mémoire façonnent l’habitat contemporain, international actuel.
ÉDITION #3
Cent ans après 1925, l’Art déco revient dans nos villes et intérieurs avec géométrie, audace, optimisme.
ÉDITION #3
Depuis plus de deux cents ans, Royal Limoges conjugue porcelaine, savoir-faire industriel et création contemporaine.
ÉDITION #3
Des terrains de sport aux podiums, la sneaker raconte un siècle de mutations culturelles, techniques et stylistiques.
ÉDITION #2
Design, mode, artisanat : des créations où la forme et la matière se répondent avec justesse, loin de tout effet de mode.
ÉDITION #1
Décorations artisanales, calendriers ultra-luxe et pièces de collection pour s’enivrer de joie avant l’heure.
ÉDITION #3
Entre marqueterie monumentale et jungle symbolique, Anton Laborde transforme le bois en récit contemporain poétique engagé.
ÉDITION #3
À Maison & Objet, Thierry Laudren présente des meubles sculptés où fonction, matière et lenteur façonnent une présence.
ÉDITION #3
Jean Nouvel conçoit une architecture attentive aux contextes, où lumière, histoire et usages façonnent chaque projet.
ÉDITION #3
À Lyon, Sophie Morel rénove des lieux historiques en alliant respect du bâti et écriture contemporaine.
ÉDITION #3
Au Centre d’Études Picasso, l’architecte compose une architecture où lumière, géométrie et héritage dialoguent avec précision.
ÉDITION #2
Entretien avec le fondateur d’EDO (European Design Office)
ÉDITION #2
Portrait d’un visionnaire qui transforme l’art de recevoir en expérience totale.
ÉDITION #1
Personnalités, artisans et créateurs qui donnent à la fête sa profondeur humaine.
ÉDITION #3
De Bordeaux au Bassin, art, vignobles et bien-être composent une échappée élégante au cœur de la Gironde.
ÉDITION #2
Vers une région de l’Italie habitée par le temps, où paysages, culture et usages s’accordent dans une continuité rare.
ÉDITION #1
Destinations et rituels qui réinventent la fête, du soleil tropical aux marchés d’hiver.
