In Paris’s 9th arrondissement, at the heart of the Montholon neighbourhood, one man is quietly reshaping the codes of luxury hospitality.
This is the portrait of a visionary who turns the art of welcoming into a fully immersive experience.
© Kollectors – 2025 – All rights reserved
There is something deeply moving in the way Aziz Temimi speaks about his earliest memories of hotel life.
“I grew up here. I was twelve when I attended my first construction meeting. I used to run between my parents’ legs.”
More than twenty years later, when his father hands him the keys to Maison Mère with a simple sentence — “Now it’s your turn to play your score” — Aziz has no idea he is about to redefine Parisian hospitality.
Nothing, at first glance, destined this trained engineer for hotel life. Mathematics, physics, market finance in the United States, an e-commerce start-up: his path mirrors that of a generation unwilling to follow predetermined routes.
“Today, I realise it was always my destiny,” he says. “Hospitality brings together everything that fascinates me: welcoming people, scenography, storytelling, the creation of customer experience.”
This unconventional background becomes his greatest strength. Free from traditional hotel codes, he arrives with what he calls “a child’s vision,” much like Peter Pan — the adult who never truly grows up.
“I kept thinking how great it would be to open a hotel that doesn’t feel like a business, but like being welcomed into a friend’s home.”
« I arrived with my child’s vision. Like Peter Pan — the adult who stayed a child forever. »
© Kollectors – 2025 – All rights reserved
Stepping into Aziz Temimi’s creative world reveals a gifted tinkerer, part dreamer, part craftsman. His method is simple in theory, demanding in practice: dream first — “big enough” — then work “like a watchmaker, building the hotel down to the smallest detail.”
But the most subtle rule comes last: never finish the project completely.
“The most important thing is to take a job that’s 80% done and place it in the hands of your teams. Otherwise, it’s just your toy. And no one wants to play with someone else’s toy.”
“Dream big, work like a watchmaker on every detail — and then don’t finish the job.”
This philosophy of letting go permeates every corner of Maison Mère. Instead of rigid procedures, Aziz relies on what he calls elegance of the heart. Recruitment is guided by a single question:
“Would I trust you with the keys to my own home?”
Skills can be learned; humanity must be felt.
His collaboration with architect Alexandre Danan of European Design Office perfectly illustrates this approach.
“We didn’t talk about architecture or décor. We talked about people,” Aziz explains.
“I told him: ‘Alex, I want it to spill over, I want it to slide, I want a joyful mess.’”
This carefully orchestrated imperfection becomes Maison Mère’s signature: overlapping spaces, deliberate friction, that “slightly bad taste” that breaks with the cold perfection of overly polished hotels.
At the core of this alchemy lies an obsession: light.
“Most people use light to illuminate. I use light to enhance — the way a woman uses makeup.”
Thanks to home automation, Maison Mère becomes three places in one: energising in the morning, subdued in the evening, work-friendly in the afternoon.
“At 7pm, you’ll see — the whole room changes,” he says with an inventor’s pride.
© Kollectors – 2025 – All rights reserved
Perhaps Aziz Temimi’s true genius lies in his ability to turn a hotel into a living story. Behind Maison Mère stands a fictional heroine: a young woman from the neighbourhood, born into a family of patrons, who broke free by travelling the world before returning to “open a large house to welcome friends from everywhere.”
This narrative permeates the entire property. The imagery of the beehive — “where all bees work on the same level, joyfully” — the metaphor of nectar as “the essence of what is delicious,” the blend of tradition and rebellion.
“She has one foot in tradition — Hospitality and Gastronomy with a capital H and G — and one foot firmly in modernity.”
Aziz shares this story with every new team member from day one, replacing conventional training with a transmission of soul. The result speaks for itself: Maison Mère was voted Best Hotel in France in 2023 on a major review platform, maintaining 7th place nationally in 2024.
© Kollectors – 2025 – All rights reserved
Today, Aziz Temimi is thinking bigger.
“Everyone who arrives adds their own stone to the building. Now it’s a collective project.”
With Moon Hospitality, his new experiential hotel group with European ambitions, he aims to export this singular grammar of discreet luxury.
Because that is precisely what he is reinventing: quiet luxury à la française. Far from ostentatious displays, Aziz focuses on the invisible — personalisation, attention, those “experience synergies” that emerge “when two flints strike and create a spark.” His luxury is not seen; it is felt.
“We don’t chase revenue at all costs. We give things,” he says simply.
This calibrated generosity, this programmed benevolence, outlines a new generation of hospitality. Aziz Temimi does not run a hotel — he orchestrates a way of living. And his influence is only beginning to radiate beyond the streets of Montholon.
Alongside Aziz, his brother Walid Temimi plays a key role in this family adventure. Together, they are partners in TK Investissements, the company that owns Maison Mère and Joli Môme, both operated by Moon Hospitality. Walid Temimi also oversees the management of Hôtel Le Belmont, a family-owned property for several generations.
« When I was 35, my dad called me and said, ‘Listen, now it’s your turn to play your part. Come and join the hotel and sort everything out for me. »
« The hotel industry combines many things that I am passionate about: hospitality, scenography, staging, and creating customer experiences. »
« Don’t finish the job, take your 80% finished job and put it in the hands of your teams.»
« We create a place that evolves throughout the day, that evolves with the characters who come to paint this portrait.»
“… because we’re not here to stick to the rules; we’re here to do things that reflect who we are.”
« I want it to be messy, I want it to be fluid, I want a joyful chaos.»
« Maison Mère was voted the best hotel in France in 2023 on a famous review platform. »
Février, 2026
Créer avec l’existant, penser avec l’histoire
De l’architecture au design, cette édition explore comment lieux, savoir-faire et matières héritées deviennent terrains de création actuelle.
Janvier, 2026
Le luxe se réinvente.
Finis les logos clignotants, place à une sobriété raffinée, à l’immersion personnelle, à l’excellence artisanale, à la durabilité sensible.
Décembre, 2025
Héritages, gestes contemporains et plaisirs essentiels
Parce que la fête n’est jamais qu’apparence : elle reflète notre manière d’habiter le monde, de transmettre, de fabriquer des souvenirs durables.
ÉDITION #3
Upcycling et kintsugi transforment l’objet contemporain, faisant de la trace, de la réparation et de la matière un langage esthétique.
ÉDITION #3
Artisans et designers donnent une seconde vie aux matériaux anciens, entre création contemporaine, patrimoine et réemploi.
ÉDITION #3
Bunkers, wagons et kiosques renaissent grâce à la création, révélant comment l’art redonne sens aux lieux délaissés.
ÉDITION #2
Un regard transversal sur le quiet luxury à travers des lieux, des objets et des figures qui expriment l’élégance.
ÉDITION #1
Une sélection de marques, architectures, objets et escapades qui donnent corps au sens de la fête.
ÉDITION #3
Usines et gares délaissées deviennent lieux culturels ouverts, où mémoire industrielle et usages contemporains redessinent la ville.
ÉDITION #3
L’audacieuse métamorphose d’un palace parisien
ÉDITION #3
Au cœur du Marais, un lieu discret révèle comment archives, architecture et recherche font dialoguer l’œuvre de Picasso.
ÉDITION #2
Une expérience shopping unique dans un magasin emblématique.
ÉDITION #2
Voyage culinaire et architectural au cœur de la Seine
ÉDITION #2
Dans le 9e arrondissement, un établissement qui invite au quiet luxury
ÉDITION #1
Chante! vient d’ouvrir ses portes. Une invitation à vibrer !
ÉDITION #3
Icône du paysage français, la boîte jaune change de statut et s’invite dans l’univers du design.
ÉDITION #3
L’édition 2026 affirme une vision où artisanat, design et mémoire façonnent l’habitat contemporain, international actuel.
ÉDITION #3
Cent ans après 1925, l’Art déco revient dans nos villes et intérieurs avec géométrie, audace, optimisme.
ÉDITION #3
Depuis plus de deux cents ans, Royal Limoges conjugue porcelaine, savoir-faire industriel et création contemporaine.
ÉDITION #3
Des terrains de sport aux podiums, la sneaker raconte un siècle de mutations culturelles, techniques et stylistiques.
ÉDITION #2
Design, mode, artisanat : des créations où la forme et la matière se répondent avec justesse, loin de tout effet de mode.
ÉDITION #1
Décorations artisanales, calendriers ultra-luxe et pièces de collection pour s’enivrer de joie avant l’heure.
ÉDITION #3
Entre marqueterie monumentale et jungle symbolique, Anton Laborde transforme le bois en récit contemporain poétique engagé.
ÉDITION #3
À Maison & Objet, Thierry Laudren présente des meubles sculptés où fonction, matière et lenteur façonnent une présence.
ÉDITION #3
Jean Nouvel conçoit une architecture attentive aux contextes, où lumière, histoire et usages façonnent chaque projet.
ÉDITION #3
À Lyon, Sophie Morel rénove des lieux historiques en alliant respect du bâti et écriture contemporaine.
ÉDITION #3
Au Centre d’Études Picasso, l’architecte compose une architecture où lumière, géométrie et héritage dialoguent avec précision.
ÉDITION #2
Entretien avec le fondateur d’EDO (European Design Office)
ÉDITION #2
Portrait d’un visionnaire qui transforme l’art de recevoir en expérience totale.
ÉDITION #1
Personnalités, artisans et créateurs qui donnent à la fête sa profondeur humaine.
ÉDITION #3
De Bordeaux au Bassin, art, vignobles et bien-être composent une échappée élégante au cœur de la Gironde.
ÉDITION #2
Vers une région de l’Italie habitée par le temps, où paysages, culture et usages s’accordent dans une continuité rare.
ÉDITION #1
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