We met Thierry Laudren in January 2026 at the Maison & Objet trade fair in Paris. He’s a man of few words, preferring to let his pieces speak for themselves. Amidst the fair’s relentless bustle, his furniture commands a slower, more contemplative rhythm. A trained sculptor who’s been based in Rennes for nearly thirty years, he creates furniture that exists equally as functional object and standalone sculpture. Solid oak, bold volumes, layered artistic references: his work stands apart from fleeting trends. Between contemporary creation and heritage restoration, Thierry Laudren has built a rich, multilayered universe—one nourished by gesture, drawing and an intimate relationship with his materials.
Thierry Laudren at the Maison et Objet trade fair – January 2026; WeAreKollectors
Wood carving forms the bedrock of Thierry Laudren’s practice. Trained over several years, notably at the prestigious École Boulle, he acquired precise knowledge of technique, tools and material constraints from an early age. This technical rigour then informed his first professional experiences in Paris as a model maker and decorator. As he approached thirty, a decision crystallised: to devote himself entirely to creating sculpted objects.
The Rennes workshop was established in 1996. From that point onwards, he developed his own distinctive body of work—conceived outside industrial frameworks, built on complete in-house production and continuous formal exploration. The choice to work alone determines the pace, quantity and character of the pieces produced, but guarantees total freedom in aesthetic choices and manufacturing processes.
Thierry Laudren at the Maison et Objet trade fair – January 2026; WeAreKollectors
Thierry Laudren at the Maison et Objet trade fair – January 2026; WeAreKollectors
Thierry Laudren at the Maison et Objet trade fair – January 2026; WeAreKollectors
Coffee tables, console tables, screens, wall sculptures: Thierry Laudren’s pieces share the same exacting formal requirements. Each object fulfils a specific function whilst asserting a strong sculptural dimension. Wood—primarily oak—occupies centre stage. Dense and demanding, it imposes a direct relationship with both the effort required and the duration of the work.
The design process always begins with drawing: instinctive forms, graphic exploration and series of sketches that gradually shape the final object. Some collections span several years, with regular returns to ideas left unresolved. References circulate freely: 1950s design, modern sculpture, art brut. Gaston Chaissac, Charlotte Perriand and close observation of the natural world all feed into these creations, without ever confining them to a single aesthetic.
Thierry Laudren at the Maison et Objet trade fair – January 2026; WeAreKollectors
The Maison & Objet trade fair in Parisrepresents a pivotal moment in Thierry Laudren’s calendar. He presents his collections there, introduces his pieces to an international audience, and engages in direct dialogue with gallery owners, interior designers and tastemakers. This visibility allows the furniture to find homes in diverse contexts: hotels, restaurants, executive offices and private collections.
Production remains deliberately limited—an inevitable consequence of solo craftsmanship. A significant proportion of pieces are sold abroad, confirming the resonance of this formal language beyond French borders. Bespoke commissions extend his creative universe: dimensions, functions and constraints are adapted, whilst respecting the lines, volumes and relationship with wood that define his practice.
Thierry Laudren at the Maison et Objet trade fair – January 2026; WeAreKollectors
Thierry Laudren at the Maison et Objet trade fair – January 2026; WeAreKollectors
Thierry Laudren at the Maison et Objet trade fair – January 2026; WeAreKollectors
Alongside his contemporary creations, Thierry Laudren regularly restores sculptures from Brittany’s religious heritage. He works on the roof structures of listed churches, often dating from the 15th and 16th centuries. Each project demands careful observation of ancient works, documentary research and close collaboration with architects and carpenters.
Recreating a missing piece, completing a frieze or restoring a damaged element requires understanding the original sculptors’ approach: their choices, their pace and, occasionally, their imperfections. This immersion fosters a direct connection with the history of the craft. The animals, figures and scenes observed in these ancient decorations sometimes find subtle echoes in his own creations, enriching a universe already marked by eclecticism.
Thierry Laudren at the Maison et Objet trade fair – January 2026; WeAreKollectors
When asked about the future, Thierry Laudren prefers to remain circumspect, gesturing towards a range of possibilities still under consideration.
“I always have lots of projects, but I haven’t settled on a direction yet. I’m currently presenting my collection, and afterwards I’ll have new ideas and new projects that I’ll try to bring to fruition.”
The sculptor emphasises the distance between conception and realisation.
“The journey from idea to finished piece takes considerable time—between the drawing, the prototypes, and everything else. It doesn’t just happen overnight!”
In his Rennes studio, this research phase takes centre stage. Drawings accumulate, some ideas remain unresolved, others slowly evolve into finished objects. Working alone encourages sustained concentration, without externally imposed deadlines. At Maison & Objet in January 2026, his pieces revealed this state of perpetual evolution—each creation extending an ongoing dialogue with form, material and meaning.
Thierry Laudren at the Maison et Objet trade fair – January 2026; WeAreKollectors
February, 2026
Create with what already exists, think with history
From architecture to design, this edition explores how places, know-how and inherited materials become fields of current creation.
January, 2026
Luxury is reinventing itself.
No more flashing logos, place to a refined sobriety, personal immersion, artisanal excellence, sensitive sustainability.
December, 2025
heritage, contemporary practices and essential pleasures
Because celebration is more than just appearances:
it reflects how we live the world, pass on traditions and create lasting memories.
ISSUE #3
Upcycling and kintsugi transform contemporary objects, turning marks, repairs and materials into an aesthetic language.
ISSUE #3
Craftsmen and designers give old materials a new lease of life, combining contemporary design, heritage and reuse.
ISSUE #3
Bunkers, railway carriages and kiosks are being given a new lease of life through creativity, revealing how art can restore meaning to neglected places.
ISSUE #2
A transversal look at quiet luxury through places, objects and figures that express elegance.
ISSUE #1
A selection of brands, architecture, objects and getaways that embody the spirit of celebration.
ISSUE #3
Abandoned factories and railway stations are being transformed into open cultural venues, where industrial heritage and contemporary uses are reshaping the city.
ISSUE #3
The audacious metamorphosis of a Parisian palace
ISSUE #3
In the heart of the Marais district, a discreet location reveals how archives, architecture and research bring Picasso’s work to life.
ISSUE #2
A unique shopping experience in an emblematic store.
ISSUE #2
A culinary and architectural journey in the heart of the Seine
ISSUE #2
In the 9th arrondissement, an establishment that invites you to enjoy quiet luxury
ISSUE #1
Chante! has just opened its doors. An invitation to vibrate!
ISSUE #3
An icon of the French landscape, the yellow post box is changing status and entering the world of design.
ISSUE #3
The 2026 edition affirms a vision where craftsmanship, design and memory shape contemporary, international living today.
ISSUE #3
A hundred years after 1925, Art Deco is making a comeback in our cities and interiors with geometry, boldness and optimism.
ISSUE #3
For over two hundred years, Royal Limoges has been combining porcelain, industrial expertise and contemporary design.
ISSUE #3
From sports fields to catwalks, trainers tell the story of a century of cultural, technical and stylistic changes.
ISSUE #2
Design, fashion, craftsmanship: creations where form and material respond with precision, far from any fashionable effect.
ISSUE #1
Handcrafted decorations, ultra-luxurious calendars and collectibles to fill you with joy before the season begins.
ISSUE #3
Between monumental marquetry and symbolic jungle, Anton Laborde transforms wood into a contemporary poetic narrative with a message.
ISSUE #3
At Maison & Objet, Thierry Laudren presents sculpted furniture where function, material and slowness shape a presence.
ISSUE #3
Jean Nouvel designs architecture that is attentive to context, where light, history and usage shape each project.
ISSUE #3
In Lyon, Sophie Morel renovates historic buildings, combining respect for the original structure with a contemporary style.
ISSUE #3
At the Centre d’Études Picasso, the architect has created an architectural design in which light, geometry and heritage interact with precision.
ISSUE #2
Interview with the founder of EDO (European Design Office)
ISSUE #2
Portrait of a visionary who transforms the art of hospitality into a total experience.
ISSUE #1
Personalities, artisans and creators who give the celebration its human depth.
ISSUE #3
From Bordeaux to the Bassin, art, vineyards and well-being combine to create an elegant getaway in the heart of the Gironde.
ISSUE #2
To a region of Italy steeped in history, where landscapes, culture and customs blend together in rare harmony.
ISSUE #1
Destinations and rituals that reinvent the festive season, from tropical sun to winter markets.
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