ISSUE #1 - December 2025

Objects

Objects can sometimes be silent archives of our celebrations: they capture a gesture, a light, a tradition that is passed on. Here, the matter becomes a narrative. From Meisenthal blown glass to ultra-luxurious Advent calendars, each creation reveals a way of embracing anticipation and celebrating what is precious. Pieces that sparkle, that last, and that give shape to the meaning of celebration.

The Meisenthal Christmas bauble

A heritage blown into the light

In the Vosges valley, the history of Meisenthal baubles began with a simple gesture: replacing missing fruit with blown glass. It was 1858, and an intuition became a tradition. In the workshops, the flame and the breath work in harmony, and each piece seems to capture something of the time. Long a major industrial product, the Meisenthal bauble regained its vigour in 1998 thanks to the CIAV, which revived forgotten techniques. This revival is not just a return to its roots: it is a living tradition, where master glassmakers and young designers work together to reinvent a fragile and necessary art. Here, the celebration begins with the material and those who shape it.

The Grip edition: a visionary design

Created by Lucas Lorigeon, the Grip bauble imagines the festive season as a subtle balance: a precious object that we hold, protect and choose with care. Its horizontal striations evoke a secure grip, a discreet antidote to slipping. The name itself conveys a language of vigilance, that of a thoughtful gesture: ‘better safe than sorry’. This 2025 edition reminds us that ornamentation is not only decorative, but also conveys a sense of awareness of the world. Its texture, somewhere between soft and grippy, captures light in a different way, as if each reflection sought to hold back the movement of the hand. Here, the festive season is celebrated with delicacy.

The sensitive world of colour

Own work, Wikimedia, 2/05/2023

Available in clear, red, purple, blue, black, green and orange – sometimes enhanced with gold – the Grip bauble explores a palette that evokes both frosty forests and the warmth of winter evenings. Each shade conveys a particular emotion of December: the intimacy of a Christmas tree at night, the warmth of a table, the sparkle of laughter, the dense shadow of a clear night. Meisenthal does not produce trendy objects but seasonal companions, designed to be part of a collective ritual. Far from uniformity, colours become a language: that of celebration as we compose it, joyful or measured, sunny or silent. And each year, this renewed chromaticism inscribes the bauble in a cycle of desire and memory.

Own work, Wikimedia, 2/05/2023

A local tradition that has become a contemporary pilgrimage

Produced in a limited edition of around 43,000, Grip can be purchased as a return to its roots: mainly in Meisenthal, but also at a few markets in the region. This geographical rarity gives the act of purchasing an almost initiatory dimension. People travel, wait and watch the glassmakers at work; the festival then becomes an experience, not just a product. The first sales, launched on 13 November, punctuate the autumn and attract collectors, curious onlookers and lovers of glass art. In Metz, Sélestat and Strasbourg, the object circulates like a fragment of heritage. Each bauble carries with it the landscape, the workshop, the heat of the furnace. It is a discreet but intense celebration of a craft that survives because it is shared.

Advent calendar

Miniature ultra-luxury

Torsten Dettlaff, pexels, 28/11/2015

In the world of Advent calendars, a new scene is emerging: that of ultra-luxury, where each drawer becomes a showcase and each gesture a moment of celebration. Brands are transforming the wait into an art form, combining rare collections, expertise and spectacular staging. The experience goes beyond simply counting down the days: it evokes the pleasure of anticipation, surprise as a language, beauty as a narrative thread. In 2025, this trend has reached a confident maturity. The boxes are no longer seasonal objects, but collector’s items, designed as fragments of a universe. They reveal both the identity of a brand and the way it conceives of celebration: intimate, precious, sometimes theatrical. In this geometry of the senses, Advent is experienced as a gradual opening, a crescendo of materials, fragrances and chosen gestures.

Torsten Dettlaff, pexels, 28/11/2015

Sisley

Sculptural beauty: Sisley, Guerlain, Dior

Sisley

Some brands are reinventing Advent as a cosmetic odyssey. Sisley has created a calendar illustrated by Luke Edward Hall, with 25 drawers revealing face, body and hair care routines — a complete immersion in the brand’s best-sellers. Guerlain has created its Conte des Merveilles, draped in red and gold, bringing together fragrances, skincare, make-up and candles: a luminous olfactory narrative that extends its heritage signature. Finally, Dior pushes the boundaries with two editions, including La Malle des Rêves: only 120 units, containing the Private Collection. More than a calendar, it is a rare piece, a manifesto of craftsmanship and collectability. Each of these houses offers its own interpretation of luxury: either generous and enveloping, or refined and precious, but always conceived as a total beauty experience, where the object tells as much as what it contains.

Olfactory Advent calendars: Diptyque & L'Artisan Parfumeur

L’Artisan Parfumeur

In the realm of fragrance, calendars become sensory libraries. Diptyque orchestrates Une Nuit de Cire et d’Or (A Night of Wax and Gold), where 25 surprises — candles, eaux de parfum, skincare products, decorations — are arranged like the chapters of a nocturnal tale. Each miniature celebrates the material, the warm breath of wax, the mystery of resin and spices. L’Artisan Parfumeur brings a box set that’s super rich: 14 perfumes, 8 skincare products, and 2 accessories. It’s like a map of scents, going through forests, spices, flowers, and smoky notes. These brands aren’t going for over-the-top excess, but depth. They offer a patient, almost initiatory exploration, as if each day revealed an invisible layer of the olfactory world. Advent then becomes a learning experience: smelling, recognising, allowing oneself to be surprised. Above all, it is a luxury of attention.

L’Artisan Parfumeur

Villeroy & Boch

Collectibles: Swarovski and Villeroy & Boch

Villeroy & Boch

For other brands, Advent is not about skincare or perfumes, but objects. Swarovski abandons the traditional calendar in favour of a box of luxurious Christmas decorations, sculpted shards designed to capture the December light. A collection of pure ornamentation, conceived as a ritual of sparkle. Villeroy & Boch, meanwhile, has created a calendar based on culinary arts: limited edition porcelain pieces, fragments of a meal imagined as a daily celebration. Here, the celebration is written in the material: crystal, ceramics, light. These calendars say something else about luxury: transmission, permanence, the gesture that spans the seasons. They are not consumed, they are accumulated, collected, passed on. As the boxes are slowly opened, the memory of craftsmanship is revealed, day after day.